July 17, 2015

The 6th annual Living Earth Festival is on!

YoughtanundThe group Youghtanund demonstrates women’s powwow-style dancing in the Potomac Atrium during the 2015 Living Earth Festival. Photo by Dennis Zotigh, NMAI.

It’s that time of year again: The Living Earth Festival—a signature program of the National Museum of the American Indian in Washington, DC—takes place today, Friday, July 17, through Sunday, July 19. This ecologically friendly family festival has something for every age group! This year’s highlights include a ladybug release in the garden outside the museum, Native dance performances, Native foods, artist demonstrations, a wine tasting, gardening workshops, an Indian Summer Showcase Concert by Quetzal Guerrero, a Native chef cooking competition, hands-on  bracelet-making, and a symposium titled On the Table: Creating a Healthy Food Future.

The events begin at 10 am each day and run until 5 pm. Native food chefs Julio and Heliodora Saqui create traditional Mayan dishes in the Akaloa fire pit outside the museum's first floor. Artist demonstrations are being offered by Janie Luster (Houma), who makes unique jewelry and other items from alligator gar scales found in her home state of Louisiana. Also taking part in the festival are artists Stephanie Madere Escude (Tunica–Biloxi); father and daughter artists Juan and Marta Chiac (Maya) from Belize; Peruvian jeweler Evelyn Brooks (Ashaninkas); and Guatemalan weaver Angelica Lopez (Maya).

Information booths have been set up by the InterTribal Buffalo Council, Traditional American Indian Farmer’s Association, Native Seed/SEARCH, and Twisted Cedar Wines. Navajo Community Health Outreach has a poster exhibit of its work. These presentations take place in the Potomac Atrium and outside the Rasmussen Theater on the first floor. 

Visitors ages 5 and up are invited to make ti leaf lei bracelets in the imagiNATIONS Activity Center on the 3rd floor. This hands-on activity is first come, first served basis.

Music and dance take place in the Potomac Atrium on the first floor: The Youghtanund Drum Group from Richmond, Virginia, will perform powwow-style dances and songs each day at 11 am and 2 pm (2:30 on Friday). At 12:30 and 3:30 pm on Friday and Sunday, 12:30 only on Saturday, musicians from the Washington-area Central American group GuateMarimba join Grupo AWAL to present traditional Maya dances.

Each afternoon of the festival, the Cedar Band of Paiute Indians of Utah host a wine tasting of their tribally owned Twisted Cedar Wine. Times vary, but the wine tastings all take place in the Mitsitam Coffee Bar on the first floor. 

On Friday at 2 pm, the Living Earth symposium On the Table: Creating a Healthy Future features speakers Ricardo SalvadorClayton Brascoupe (Tesuque Pueblo), and Robin Kimmerer, and moderator Tim Johnson (Mohawk). The symposium—a lively discussion covering sustainable farming, the impact of genetically modified organisms (GMOs), the conservation of heritage seeds, and traditional Indigenous approaches to the environment and harvest—takes place in the museum's Rasmuson Theater. If you can make it to the National Mall, you can watch the symposium live via webcast

On Saturday at 3 pm in the Potomac Atrium, the museum hosts the first of three Indian Summer Showcase concerts for 2015. Quetzal Guerrero and his band bridge Latino and American music styles, including blues, jazz, and hip-hop.

Sunday's highlights include a Native chef cooking competition between Hawaiian chefs Kiamana Chee and Robert Alcain, beginning at noon on the Welcome Plaza outside the museum's main entrance. This year's secret ingredient is cacao, but don't tell anyone. Beginning at 2:30 pm in the Rasmuson Theater, Navajo young people working with Navajo Community Health Outreach will share their tribe’s effort to improve health education and access to healthy foods in the Navajo Nation. Come by and let them know you appreciate the important work they're doing.

—Dennis Zotigh

Dennis Zotigh (Kiowa/San Juan Pueblo/Santee Dakota Indian) is a writer and cultural specialist at the Smithsonian National Museum of the American Indian in Washington, D.C.

Events from the Living Earth Festival are webcast live throughout the weekend. Take a look at what's on the schedule or go directly to the museum's Live Webcasts page.

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March 31, 2014

Anishinaabe Artist Maria Hupfield Takes a Crack at the Fabergé Big Egg Hunt in New York


Maria Process 2
It's difficult to believe that 260-something, two-and-a-half-foot-tall eggs created by artists could be hard to find in New York City, but they will. And they'll be fun to find, too. Photo courtesy of the artist.

Forget oysters. For Brooklyn-based performance artist Maria Hupfield (Wasauksing First Nation) right now, the world is her egg. And she’s hopeful New Yorkers will have fun finding it.

A little confused? Don't be. The mystery surrounding what is likely to become one of the most popular Big Apple springtime events will be revealed when the Fabergé Big Egg Hunt kicks off tomorrow, April 1. Earlier hunts garnered much attention in the U.K. and Ireland. This year marks the event’s New York City debut.

Here’s how it will work: The organizers of the Fabergé Big Egg Hunt challenged more than 260 globally renowned artists, designers, and creatives—including Hupfield—to transform two-and-a-half-foot egg forms into compelling three-dimensional artistic masterpieces. The eggs are placed in secret locations “high and low” throughout the five boroughs. From April 1 through 17, the public is invited to take part in the hunt via a special smart-phone app, with incredible gemstone prizes from Fabergé serving as an incentive. From April 18 through 25, all the eggs will be on view in a free public exhibition at Rockefeller Center. 

Maria 1_webb_paul Niemi Maria detail2

Left: Performance artist Maria Hupfield at the National Museum of the American Indian in New York. Right: Bandolier bag with Woodland decoration (detail), made by Hupfield of industrial felt. Photos by Paul Niemi, NMAI.

Hupfield’s personal work explores universal conditions, locating the body in relationship to self, objects, and place. She was a logical choice to participate, not only because she has made a name for herself internationally with work featured at New York's Museum of Arts and Design and the Vancouver Art Gallery in the last couple of years, but also because of her lifelong immersion in craft. Craft was a big part of her upbringing as a member of the Wasauksing First Nation in Ontario, Canada. She is descended from a line of “makers,'” as she calls them—Hupfield’s father is a boat-builder, and many of her aunts make traditional quill boxes.

Hupfield creates beauty out of practical materials. Photos courtesy of the artist.

Accustomed to replicating everyday objects (a camera, for instance) in gray industrial felt for her art practice, Hupfield explains that she likes to think with her hands—to create things that show practicality as well as real aesthetic appreciation. “I work across different disciplines,” she says. Some of her pieces stand alone, sculpturally; others are used in performance to “activate them.”

When it came to cracking the design of her big egg, Hupfield admits, “I have never created something of that scale.” Hupfield’s traditional Anishinaabe culture, though, outweighed her lack of large-scale project experience. “My artwork is about ideas that are greatly informed by my upbringing and where I come from.” She recently used traditional Eastern Woodland floral patterns to adorn objects used in performance pieces that celebrate the exhibition Before and after the Horizon: Anishinaabe Artists of the Great Lakes, on view at the National Museum of the American Indian in New York through June 13. Hupfield found great inspiration in the innate shape of the egg and went to work translating the her relief designs. 

Hupfield's sculpture dons its gray flannel suit—a clever disguise for an artwork that hopes to pass as just another businessegg in the city. Photo courtesy of the artist.

Hupfield contends that while she was given the same form as other artists, her egg offers something a little bit different. “It’s soft, huggable, and beautiful. You won’t necessarily be able to touch it, but there’s definitely a sense of tactileness,” she explains. “I'm excited to see how people respond to it.”

She’ll have to wait. Once ten people have found her egg, its location will be revealed. For now, not even Hupfield has an inkling where that may be. Event organizers expect the locations of all the eggs to go public by the end of the first week. 

One important thing you can know now is that the Fabergé Big Egg Hunt in New York is a charity event. Each egg will be auctioned off to the public online, with bidding beginning April 1 on the Fabergé Big Egg Hunt website. Funds raised this year will go to support Elephant Family and Studio in a School. 

Starting April 1, the event website is also the easiest place to go to download the egg hunt app.

So, where would you hide a two-and-a-half foot egg? 

For more information on the Fabergé Big Egg Hunt, please visit thebigegghunt.org/

Twitter & Instagram @thebiggegghuntNY & #thebigegghuntNY


—Paul Niemi

Paul Niemi is an arts and culture writer and a Museum Ambassador at the National Museum of the American Indian in New York. The quotations in this piece are from Paul’s recent interview with Maria Hupfield at the museum.

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wow that was nice information. I can imagine how creative you are.

Awesome post.

July 18, 2013

The 2013 Living Earth Festival—Friday, July 19, through Sunday, July 21

LEFestLogo2013The Living Earth Festival, a signature event of the National Museum of the American Indian, will take place this weekend, July 19 through 21. This annual festival celebrates indigenous contributions to environmental sustainability, knowledge, and activism. For a full listing of events, please see the online calendar or downloadable festival brochure. Here are some highlights for visitors of all ages and many different interests.

What activities can families do together? Adults and children in particular are invited to: 

Lisan wins at Santa Fe 2012 cor
Lisan Tiger Blair with the work that won him 1st place in youth sculpture at the 91st Santa Fe Indian Art Market, August 2012; photo by Dana Tiger, courtesy of the artist.
  • Help release lady bugs into the NMAI garden (outside the museum's South Entrance along Maryland Avenue) at 10 AM Friday.
  • Participate in a sculpting workshop led by award-winning young artist Lisan Tiger Blair (Mvskoke Creek) in the imagiNATIONS Activity Center. There are workshops several times each day. Please pick up free timed-entry tickets in advance at the Activity Center.
  • Join Victoria Mitchell (Cherokee Nation) for a pottery demonstration.
  • See amazing beadwork made by Peggy Fontenot (Potawatomi).
  • Enjoy an outdoor cooking demonstration by Patricia Alexander (Pawnee/Creek) or a cheesemaking demonstration by Nancy Coonridge of Pietown, New Mexico.


20100806_01a_eba_ps_002Farmers market and green-chile roasting, NMAI photo.

For organic gardeners, locavores, gourmet cooks, and just plain food-lovers: During the festival, representatives of tribally owned food cooperatives discuss sustainability, and local famers offer produce, meat, and traditional American Indian foods in an outdoor farmers market. The festival begins for foodies Friday morning at 10 AM with the opening of the farmer’s market and a green-chile roasting (both outdoors in the Welcome Plaza throughout the festival). Demonstrations of traditional Native dishes, including venison stew, corn soup, and grape dumplings (outdoors in the Akaloa Firepit), begin Friday at 1 PM and continue all weekend. Sunday from 1:30 to 4:30 PM, Native chefs Freddie Bitsoie (Navajo) and Don McClellan (Cherokee) will compete in an Iron Chef-style cook off (outdoors in the Welcome Plaza). 

05_20.23211514_crop Don McClellan crop

Chefs Freddie Bitsoie (Navajo) and Don McClellan (Cherokee); photos courtesy of the chefs.

What would a Native festival be without music and dancing?
Live performances begin Friday at 1 PM with the Pokagon Band of Potawatomi Indians Drum and Dance Troupe. Hawaiian music and dance by Halau Ho'omau I ka Wai Ola O Hawai'i follows at 2 PM, and at 3:30, traditional Marimba music by Pequeña Marimba Internacional. 

Saturday afternoon singer and violinist Quetzal Guerrero (noon), contemporary Six Nations rocker Shawnee Talbot, aka She KIng (12:30 PM), and the LA fusion band Ozomatli (2 PM) join the roster of performers. Saturday evening at 5 PM, the three groups will present a longer concert as part of the museum's series Indian Summer Showcase. All music and dance performances take place in the air-conditioned Potomac Atrium.


Quetzal Guerrero miniShe King mini   


Clockwise from upper left: Quetzal Guerrero; photo courtesy of the artist. She King; photo courtesy of the artist.Ozomatl; photo copyright 2012 Christian Lantry.

Are you looking for a Friday evening program? The film series Dinner and a Movie offers cuisine from our Zagat-rated Mitsitam Café, available for purchase from 5 to 6:30 PM, followed by the movie Watershed, showing from 7 to 8:30 PM in the museum's Rasmuson Theater. Watershed highlights people who live and work in the Colorado River Basin, including Jeff Ehlert, a fly fishing guide in Rocky Mountain National Park, and Navajo Council member Glojean Todacheene. These people convey their new water ethic by sharing stories that answer the question, How do we balance the competing interests of cities, agriculture, recreation, wildlife, and indigenous communities all with rights to water? 

The Colorado River from the North Rim of the Grand Canyon; photo by Michael Quinn, National Park Service.

At the heart of the festival each year is the Living Earth Symposium. For 2013, the symposium presents Tribal ecoAmbassadors Saturday July 20, from 2:30 to 4 PM, join us in the Rasmuson Theater to hear Environmental Protection Agency (EPA) scientists, tribal college and university professors, and Native students describe how Native communities and individuals are developing innovative and locally relevant solutions to protect the environment and public health. Presenters include EcoAmbassadors from the Navajo Nation and the Tohono O’odham Nation who will address grassroots efforts to reduce carbon on their reservations and provide housing in their local communities.

EcoAmbassador David Stone sharp
ecoAmbassador David Stone and students from Tohono O’odham Community College take a break on a bench made entirely on carbon-negative materials; photo courtesy of the EPA.

The symposium and several other events throughout the weekend will be webcast live on the museum's website. A complete schedule of webcasts from the festival, as well as events on the webcast calendar for later this summer, is available in a separate blog post.

All programs and activities are free and open to the public. As noted above, free timed-entry tickets to the sculpting workshop with Lisan Tiger Blair are avaiable in the imagiNATIONS Activity Center; it might be wise to begin your visit there. Indian Summer Showcase concerts are always very popular and Saturday's promises to be no exception. Seating in the Potomac Atrium is first come, first served. 

We hope to see you here!

—Dennis Zotigh, NMAI

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I like the work of Shawnee SheKing, Lynn Talbot (Mirror me, This is me etc). I was trying to see if there was a connection in her work with Aboriginal music. It would be great to live close enough to visit the Living Earth Festival to see such energy and creativity. Living in Australia makes it difficult. I enjoy Rap and Hip Hop and I found one of Shawnee's creations sung in that genre. That such energy and creative minds are also involved in protecting the environment, not just here but also in other countries makes me have hope for humankind. I enjoyed reading about the activities planned, with a big sigh at not being able to be there..

In reply to my own comment I listened to Shawnee SheKing singing "She is King" (rap type). I hear drumming connections with Shawnee drumming and the Mohawk drums I have found on the Internet and the sounds made by Iriquois water drums. Of course this could be entirely in my own head. I also loved the haunting sounds of the Mohawk flute music from the smoke dance.

The music was AMAZING! Especially Ozomatl. I was lucky enough to see their first show back in 1995. I collect water drums- have 4 amazing ones and 1 that I am working to restore. Working on training my voice so I can do something similar like Ozomatl.

@William have you heard of a native american band called Apu?

I recently watched them whilst they were on tour of the UK the music they create is fantastic!

Many thanks

I must say - THIS WAS GREAT!
the world is so small, i watched them too on their uk tour!

really amazing and interesting!

Nice work! Keep going!

keep up the good work guys.... amazing....

The music was AMAZING! Especially Ozomatl. I was lucky enough to see their first show back in 1995. I collect water drums- have 4 amazing ones and 1 that I am working to restore. Working on training my voice so I can do something similar like Ozomatl.

I recently watched them whilst they were on tour of the UK the music they create is fantastic!

Many thanks

I collect water drums- have 4 amazing ones and 1 that I am working to restore.

Great guys! Keep on working :)

Amazing work! Keep going

really it is very interesting and amazing.thank you and good luck

good work keep it up.

Thank You for Sharing Valuable Information.i like this blog and this is very informative.

Really it is a great idea. Thanks for sharing.

The music was AMAZING! Especially Ozomatl. I was lucky enough to see their first show back in 1995. I collect water drums- have 4 amazing ones and 1 that I am working to restore.

April 03, 2013

Native Sounds Downtown! Rob Lamothe & his band pay tribute to American Indian musicians, April 25 at the museum in New York


Rob Lamothe

Rob Lamothe and the band, from left to right: Ryan Johnson, Ronnie Johnson, Rob Lamothe, Rose Lamothe, and Zander Lamothe. Photo courtesy of the artists. Used with permission.

Last summer singer, songwriter, and producer Rob Lamothe helped kick off the opening of the exhibition Up Where We Belong: Native Musicians in Popular Culture at the National Museum of the American Indian in New York. He and his band will return to perform at the museum Thursday, April 25, at 6 p.m. Supporting Rob are talented band members bassist Ryan Johnson, guitarist Ronnie Johnson, drummer Zander Lamothe, and vocalist and pianist Rose Lamothe. Together they will take the stage in the Up Where We Belong gallery and pay tribute to the artists featured in the exhibition with a set of iconic songs and some of their own personal favorites. The concert is free and open to the public; invite friends to attend via the museum's Rob Lamothe event page on Facebook

For the past 30 years, Rob has enjoyed an award-winning career with songs on the Billboard charts in the U.S. He has shared stages with everyone from Gun 'n' Roses to Ron Sexsmith. His songs are heard on hit TV shows like Melrose Place and the long-running Australian soap opera Paradise Beach. And Rolling Stone Europe has said he's got an "out-of-this-world soulful voice.” 

In the last several years, Rob has devoted much of his musical energy to working with some of North America's pre-eminent Native artists. Rob has recorded with award-winning artist David Maracle (Aboriginal Peoples Choice Awards, Canadian Aboriginal Music Awards, National Aboriginal Achievement Awards, etc). Rob teaches at Interprovincial Music Camp with Juno Award-winner Derek Miller from Six Nations Mohawk territory and internationally renowned guitarist, producer, and American Idol music director Stevie Salas (Apache). Rob's deep commitment to community is reflected in his work with young people from the Nimkee Nupigawagan Healing Centre in Muncey, Ontario, and in his job running the Emergency Housing Program for the province's Haldimand and Norfolk counties.

The band's up-and-coming young bassist Ryan Johnson has opened for musicians Derek Miller, Pappy Johns Band, and others on both sides of the U.S.-Canada border. Inspired by classic rock bands from the ’60s and ’70s, Johnson and his band earned a 2010 Canadian Aboriginal Music Awards nomination.

Guitarist Ronnie Johnson (unrelated to Ryan Johnson) hails from the Six Nations of the Grand River territory, where he grew up hearing blues and rock. By creating music that makes people dance—playing bass, rhythm guitar, and lead guitar with The Blues Brigade and Midnight Lightning for the past five years—Ronnie has “followed in the storied tradition of legendary Six Nations blues musicians.”

Named “Drummer of the Year” at the 2012 Hamilton Music Awards, Zander Lamothe has rocked in numerous Canadian and European tour shows. With his drumming featured behind artists City and Colour, Melissa McClelland, and others, this zealous artist has drummed his way from California to New York.

Beginning her musical career, 16-year-old Rose Lamothe accompanies the band with her singing and piano skills. Rose has been honored to be mentored by musicians such as Bernard Fowler from the Rolling Stones and Donna Grantis from Prince.

The music will kick off at 6 p.m. on the Up Where We Belong gallery stage at the National Museum of the American Indian in New York, located at One Bowling Green in Lower Manhattan. This show is guaranteed to be a crowd-pleaser and a real treat for visitors who want to experience a concert inside of a gallery surrounded by the history of Native icons of music.   

—Aimee Beltramini

Aimee Beltramini is an intern in the Public Affairs and Visitor Services Departments at the National Museum of the American Indian in New York. 

Native Sounds Downtown! with Rob Lamothe, Ryan Johnson, Ronnie Johnson, Zander Lamothe, and Rose Lamothe

Thursday, April 25, at 6 p.m.
National Museum of the American Indian in New York


RSVP & share the event via Facebook 

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It is overwhelming that singers pay tribute to Native americans which is really patriotic. Which others could do the same.

This was an amazing tribute! I was actually there!

December 12, 2012

Will the World End on December 21? Ask a Maya!

Will the world end come to an end on December 21? We certainly hope not; we have some great webcasts coming up in January and February. But before we mention those, there’s a full weekend of webcasts to watch from the museum's Guatemalan festival December 15 & 16.

The name of festival,which takes place throughout the museum, is Bak´tun 13: A Guatemalan Celebration of Time. 13 Bak´tun—the date on the Maya Long Count calendar coinciding with December 21, 2012—marks the end of a 5,125-year era and a new beginning as the Long Count resets. Guatemala is the heart of traditional Maya territory, which extends through most of Central America, including southern Mexico, Guatemala, El Salvador, Honduras, and Belize. Far from reaching the end of time, the Maya are very much a living culture today. Definitely something to celebrate!

All of the museum's live webcasts can be accessed via http://americanindian.si.edu/webcasts.

Bak´tun 13: A Guatemalan Celebration of Time | Webcast Schedule

The Ways of the Days: Maya Calendar Tradition and the Way of Life 
Saturday, December 15, 11:30 am EST

Roderico Teni is a Maya–Qeqchi culture bearer who has worked on cultural preservation and social improvement in Maya communities of the Guatemalan highlands. He is also a Maya day-keeper, one of the spiritual guides who advise communities, in part by consulting the 260-day sacred calendar, Tzolk´in (called the Chol Q´ij in K´iche´ Mayan). Jose Barreiro, director of the museum’s Office of Latin American, will facilitate conversation about the Maya calendar and culture. Audience participation is welcomed, and our webcast audience is encouraged to participate via Twitter. Tweet your comments and questions to @SmithsonianNMAI using the hashtag #MayaCalendar.

Maya from the Inside: The 13 Bak´tun as Challenge to the Western Mind
Saturday, December 15, 2 pm EST

Dr. Victor Montejo. Photo used with permission

Victor Montejo, a Jakaltek Maya originally from Guatemala, will talk on the deep meaning of Maya culture and history. An internationally recognized scholar, Dr. Montejo is the author of several major publications, including Testimony: Death of a Guatemalan Village; Voices from Exile: Violence and Survival in Modern Maya History; Maya Intellectual Renaissance: Critical Essays on Identity, Representation and Leadership; Popol Vuh: Sacred Book of the Mayas; and Q´anil: Man of Lightning. His current projects focus on indigenous migration and transnationalism, and developing a curriculum in Native knowledge and epistemology in his new manuscript, Mayalogue: An Interactionist Theory of Indigenous Cultures. The audience will have an opportunity to ask questions at the end of his presentation. Again, webcast audience members may tweet comments and questions to @SmithsonianNMAI using the hashtag #MayaCalendar. 

Bak’tun 13: A Guatemalan Celebration of Time
Sunday, December 16, noon EST 

Juanita Velasco (Ixil Maya). Photo by Walter Larrimore, NMAI

Three events will be featured in this webcast from the museum's Potomac Atrium: "Timeline of Guatemalan Fashion" shines a spotlight on Maya textiles from the 1930s to the present to show the changes that have impacted Maya textiles over the last 80 years. Following the look at textiles, enjoy the music of the traditional marimba under the direction of Fernando Salseño of Pequena Marimba Internacional. Finally, Grupo AWAL presents traditional dances from Concepcion Chiquirichapa in Guatemala. The dances are based on a cylindrical calendar cycle.

Bak’tun 13: A Guatemalan Celebration of Time
Sunday, December 16, 3 pm EST

Two festival events are repeated in this webcast: Traditional marimba under the direction of Fernando Salseño of Pequena Marimba Internacional and a presentation of traditional dances from Concepcion Chiquirichapa in Guatemala Grupo AWAL.

Upcoming Webcasts | January & February 2013

Assuming the world doesn’t end on December 21, more webcasts of events at the National Museum of the American Indian are coming in January and February. 

This Indian Country: American Indian Activists and the Place They Made
Friday, January 18, 2 to 3 pm EST

Join noted historian Frederick E. Hoxie as he talks about his new book, This Indian Country: American Indian Activists and the Place They Made, about political activism that led to hard-won victories in the courts and civil rights campaigns, rather than on the battlefield. It is a story of both famous and obscure Indian lawyers, tribal leaders, activists, and commentators who have sought to bridge the distance between indigenous cultures and the political institutions of the United States through legal and political debate. Dr. Hoxie’s powerful narrative connects the individual to the tribe, the tribe to the nation, and the nation to broader historical processes. Dr. Hoxie is the winner of the 2012 American Indian History Lifetime Achievement Award and a founding trustee of the National Museum of the American Indian.  

Out of Many: A Multicultural Festival of Music, Dance, and Story
January 18 to 20, 10 am to 5:30 pm EST

Who better than an Indian museum to say "Hail to the chief"? As our neighbor the U.S. Capitol hosts the presidential inauguration, we salute the occasion with a festival featuring music, dance, and storytelling throughout the museum. Check our online calendar as inauguration weekend approaches to see what we’re offering online. E pluribus unam! 

Racist Stereotypes and Cultural Appropriation in American Sports 
Thursday, February 7, 10 am to 5:45 pm EST

Illustration by Aaron Sechrist. Used with permission
Join us for a thought-provoking day examining one of the most persistent issues that divides Natives and non-Natives in our sports-loving land. This symposium of panel discussions presents commentators, scholars, authors, and representatives from sports organizations exploring the mythology and psychology of sports stereotypes and mascots, reaction to the NCAA’s policy against “hostile and abusive” names and symbols, and the on-going debate about the name and logo of the Washington, D.C., professional football organization. We invite the webcast public to join us in the conversation through Twitter. Tweet your comments and questions to @SmithsonianNMAI using the hashtag #RacistSportsLogos.

This program was originally scheduled for November 1, 2012, and was postponed due to Hurricane Sandy.  

Missed a Webcast?

If you missed a live webcast that you really wanted to see, don’t worry. We post nearly all of our webcasts on the NMAI YouTube Channel. You may find the webcast you're looking for in one of our playlists or by clicking the Browse Videos tab, where posted videos appear in reverse chronological order.

—Mark Christal, NMAI

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