October 27, 2014

Glittering World: Case (Almost) Closed . . . .

By Joshua Stevens

The National Museum of the American Indian in New York is abuzz as the debut of Glittering World: Navajo Jewelry of the Yazzie Family comes closer. A little less than three weeks before the exhibition opens to the public November 13, people behind the scenes are putting the final elements in place, bringing life to the sketches, blueprints, and mock-ups that designers worked tirelessly to perfect.

A visit to the museum’s East Gallery right now gives a vivid sense of just how stunning the exhibition will be. Vibrant colors of crimson and turquoise give a new personality to the space, almost as if visitors will walk into a life-sized piece of Navajo jewelry. It is also apparent that much more remains to be done as prep work continues in every corner of the gallery.

Standing out among all the work in progress is casework that will eventually hold hundreds of pieces of jewelry made by the Yazzies. It’s easy to be amazed by how much planning it takes for every single case. Each case is inscribed with numbers that categorize it and map what it will contain. The exhibition team—led by Peter Brill, assistant director for exhibitions and programs at the museum in New York—allowed a sneak peek at the construction of the exhibition environment. A few snapshots give a sense of things to come.

Encasements Waiting Encasement Application Wall Section

Left: Display cases sit below panels where they will eventually be hung. Top right: Peter Brill shows how a case front will be fitted to one of the wall panels. Above: Within the recesses of a panel, numbers encode a case's location and contents. 

LYazzieRingPanel
RetailCase LightingExample

Top left: This unfinished panel will hold several of Lee Yazzie’s best-known expertly designed rings. Above: Cases have been designed to strike the perfect balance of controlled lighting and ambient light, bringing out the brilliance of the jewelry in the exhibition. Right: This case will showcase pieces in the Glittering World Gallery Store, where visitors will have the opportunity to purchase unique jewelry inspired by Navajo designs, as well as work by fine jewelers from other Native nations.


Glittering World
opens Thursday, November 13, at the National Museum of the American Indian in New York, and will run until January 2016. The NMAI blog will continue to post exclusive behind-the-scenes content as the opening nears. You can also view the exhibition trailer and join the conversation with the museum on Facebook and Twitter, #GlitteringWorld. Let us know if there’s something you want to know! 

Photos by Joshua Stevens, NMAI.

Joshua Stevens is the Public Affairs specialist at the National Museum of the American Indian in New York.

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October 03, 2014

Behind Every Great Object, There’s a Great Mount

By Joshua Stevens

The little things in life make all the difference, and those who work behind the scenes building the museum’s exhibitions know it all too well. Every small detail has an impact on a visitor’s experience, which translates to the success of an installation. Yet these details are also those that for many of us go unseen.

November approaches, and with it the unveiling of NMAI New York’s newest exhibition, Glittering World: Navajo Jewelry of the Yazzie Family. Staff members across the museum and outside specialists are working to ensure that each piece in the exhibition shines flawlessly, telling the story not only of a family, but of a highly refined art form. 

Kelly McHugh, an NMAI conservator, shared photos from the museum’s Mount Shop showing the custom-made brass components that will be used to support the nearly 300 pieces of contemporary Navajo jewelry the exhibition contains—rings, bracelets, necklaces, and a variety of other jeweled accessories—as well as objects from the museum's collections that provide historical context. The snapshots below show the many different mounts the exhibition requires. Specific exhibit case numbers are written alongside the mounts on the ethafoam that supports them while they are in transit from the museum’s collections, conservation, and research facility in Maryland to the museum in New York. 

Glittering World object mounts 1

Glittering World object mounts 2Glittering World object mounts 3

Glittering World object mounts 4
Object mounts made by master mountmaker Bob Fuglestad and his colleagues Bill Mead, Bill Bowser, and Jon Pressler, and by the museum's staff mountmaker, Shelly Uhlir, for the exhbition Glittering World: Navajo Jewelry of the Yazzie Family. The mounts were constructed at the museum's Cultural Resources Center in Maryland, then grouped by exhibit case for installation at the National Museum of the American Indian in New York. Photos by Duane Blue Spruce, NMAI.


More than 350 mounts were made for Glittering World, most by master mountmaker Bob Fuglestad and his team of Bill Mead, Bill Bowser, and Jon Pressler. The museum's staff mountmaker, Shelly Uhlir, made a number of mounts, as well. Shelly describes what the project entailed:

The majority of the mounts are crafted from silver-soldered brass, which is then covered with multiple layers of acrylic coating to make sure the objects have a safe place to rest. Each mount is custom designed and fit specifically to each piece of jewelry, then painted to conceal the work. 

They are hand-made works of art in themselves, but the best mounts are the ones the viewer doesn’t easily see!

Glittering World debuts Thursday, November 13, at the National Museum of the American Indian in New York and will run until January 2016. The NMAI blog will continue to post exclusive behind-the-scenes content as the opening nears. You can also view the exhibition trailer and join the conversation with the museum on Facebook and Twitter, #GlitteringWorld. Let us know if there’s something you want to know! 


Joshua Stevens is Public Affairs specialist at the National Museum of the American Indian in New York.

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